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Events happening near by Northwest 71st Street Florida USA



Atmosphere


with www.rhymesayers.com, deM atlaS, DJ Keezy, The Lioness
Defining success is not an exact science by any means. In some ways, its especially difficult to quantify ones success when they have a job that places them in the public eye, a position that is ripe for critique and high expectations. Perhaps those who best thrive in those scenarios are the ones who can navigate through all noise and continue to evolve and grow, both in their skill sets and as individuals.In many ways, that is an integral part of the Atmosphere story. Over their twenty-year career they have managed to continually tweak and strive to perfect their formula, while neither straying too far off their path, nor resorting to playing it safe. Starting at 1997s Overcast, the groups first official album, and traveling through 18 years of new albums, side projects (e.g. the Sad Clown series and Felt), and various collaborations, all the way up until 2014s Southsiders album, Atmospheres music has evolved in a way that differs from many of their peers and predecessors. A hard look at that evolution doesnt reveal the commonalities of following trends or struggling to fit in, by either over-extending in an effort to stay cool to the younger generation, or succumbing to the pressure people tend to place on artists to maintain the same sound from album to album. Instead, the Atmosphere discography evolves in a natural way. Musically, Ant has continued to define Atmospheres sound, ranging from a healthy mixture of upbeat and fun, to the oft more iconic, moody and personal. Through out the 1990s, Ant spent countless hours in his basement with a wealth of records, a keyboard sampler, a turntable and a 4-track, working with a whos who of the Twin Cities Rap talent of that time. Those experiences tuned his ear, molded his work ethic, and shaped his vision. In turn, those lessons have continually become more prominent in the Atmosphere aesthetic, blending live musicians and sampled production with his keen sense of how to compose a well-arranged song. As for the lyrics, Slug started his passion for rhyming with an obsessive-like penchant for the way words intersect, as well as how those words can be manipulated for unexpected and clever meanings. But, at the same time, early on Slug expressed an interest in doing more than simply proving he could be witty, but also writing about subjects that speak to people personally, as well as emotionally. These practices also naturally helped the Atmosphere fan base to expand beyond the usual independent Hip Hop audience, extending their reach to an alternative audience who also related to the personable appeal and emotional range of both Slugs songwriting and Ants musical backdrops. Particularly, Slug has been consistently successful in leveraging his understanding for the power of words, recognizing that a song containing the right story or personal perspective can be extremely effective in capturing and holding the listeners attention.Undoubtedly, the impact of Atmospheres music has been the roots to their long-term success, but their continued rigorous touring and performance schedule has been the vessel for engraining these stories and the legacy of the music into their fan base. Early on in their careers, Atmosphere stepped beyond the genre lines and performed shows through out the Twin Cities with Rock bands, Punk Rock bands, and Jazz Ensembles. This was directly influenced by the fact that both of them were already fans of a wide range of music. Although this was a natural reaction to being a fan of the music, that experience also afforded Atmosphere, and their Rhymesayers peers, the opportunity to witness first-hand the D.I.Y ethos shared by some of these other musical movements. Atmosphere began to apply many of these tactics and work ethics to their growth, which was specifically influential in the development of Atmospheres approach to touring. These strategies found Atmosphere expanding their tours into cities that few, if any, Rap artists were including in their routing. The result is a storied connection between the artists and the listeners, which has grown into long-term Atmosphere fans passing down that experience to their children and so on, and thus continually ushering in a new generation of Atmosphere fans. Early on in their touring excursions, Atmosphere shows were noted in history for challenging the idea that Hip Hop audiences had to be filled exclusively with scowl-faced males fueled by ego and testosterone. Instead they created an environment that invited women to join in on the party. All of these factors have led to a fan base that ranges from ages 14-54 and beyond, and one that remains solid, as well as ever evolving.As Atmosphere steps into their 21st year of making music, Slug & Ant show no signs of slowing, compromising or losing sight of their vision. Nor has time revealed any diminishing of those qualities that have brought them this far. As 2016 swung into gear, Atmosphere had already ended the previous year and led into another with a string of singles, and still have an abundance of music on the way, including their latest album, Fishing Blues. The title of the new album speaks directly to the sentiments that opened this bio; Is this the point in the career where Atmosphere chooses to step back, put up the Gone Fishin sign and reminisce about their successes? The answer, a resounding no, is found in the music, a collection of songs that both define and redefine the Atmosphere sound. Their passion and creative spark are as illuminate as ever. Slug and Ant still have plenty of stories to tell

Venue:
High Dive
210 SW Second Ave Gainesville

When:
Sat, 1 Dec 2018 9.00pm -
Thu, 1 Jan 1970 1.00am


Chris Tomlin



Venue:
Stephen C. O'Connell Center
202 West University Avenue Gainesville

When:
Sat, 6 Apr 2019 7.00pm -
Thu, 1 Jan 1970 1.00am


La Dispute



La Dispute has a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.

Venue:
High Dive
210 SW Second Ave Gainesville

When:
Thu, 29 Nov 2018 8.00pm -
Thu, 1 Jan 1970 1.00am


Perpetual Groove



Perpetual Groove based in Athens, GA, rides an unending wave of momentum buoyed by an enthusiastic fan base and international critical acclaim. PGroove's music has evolved into a genre-bending, highly original sound that touches upon jazz-rock, neo-psychedelia, R&B, trance electronica, progressive rock, and anthemic arena rock. Their large catalog of original music offers something for everyone, but the band is also known for their eclectic range of covers; including everything from Michael Jackson's "Thriller" to Rage Against The Machine's "Bulls On Parade". The addition of an intense, retina burning, intelligent light show creates an atmosphere unlike any other, assuring fans they'll get a highly polished, yet different show each night.Perpetual Groove released their first album, Sweet Oblivious Antidote, in 2003 on Harmonized Records after their first year of solid touring. Besides being the top seller for The Home Grown Music Network that year (it out- sold releases by Phish, Widespread Panic, and others), it was also votedHGMN Top Fan Pick for 2003. The buzz only got bigger on the 2004 follow- up record, All This Everything, which was produced by Grammy award- winner Robert Hannon. LiveLoveDie, their third record was released in March of 2007 and represents a significant evolutionary departure in style for Perpetual Groove. Teaming up once again with Hannon and Tree Sound Studios, the band set forth to create a darker sonic landscape without sacrificing too much of that "PGroove quality" thanks in part to Butler's warm, soaring vocals. HEAL, released in 2010, firmly established Perpetual Groove as more than a jamband with its focus on well-crafted songs. Honey Cuts, an EP released later in 2010, featuring three songs that did not fit the theme of Heal.PGroove has performed many US festivals with performances at All Good Music Festival, Gathering of the Vibes, Wakarusa, Bonnaroo, Jam Cruise, High Sierra, Jazz Fest, Riverbend and their own annual gathering, Amberland. The band has also made appearances at International events such as Jam in the Dam and Caribbean Holidaze. Perpetual Groove pushed the envelope in the music industry, touring behind the first ever 5.1 surround sound system and producing the first album to be completely offset by renewable energy credits.

Venue:
High Dive
210 SW Second Ave Gainesville

When:
Sun, 2 Dec 2018 9.00pm -
Thu, 1 Jan 1970 1.00am


Northwestern Wildcats at Florida Gators Women's Basketball



Venue:
Stephen C. O'Connell Center
202 West University Avenue Gainesville

When:
Sun, 18 Nov 2018 2.00pm -
Thu, 1 Jan 1970 1.00am


2019 Florida Invitational Step Show



Venue:
Stephen C. O'Connell Center
202 West University Avenue Gainesville

When:
Sat, 16 Feb 2019 7.00pm -
Thu, 1 Jan 1970 1.00am


Robert DeLong



Roberts recent collaboration with K.Flay Favorite Color is Blue went Top 12 at Alternative radio and has been streamed 7 million times worldwide and the video has been viewed 2 million times. DeLong also joined forces with producer extraordinaire Ricky Reed [Twenty One Pilots, Galantis] for First Person on Earth, which he calls his very first love song. Written the day after the 2016 election, the aptly titled Beginning of the Endproduced by Tim Pagnottatempers widescreen festival-ready melodies with intricate production punctuated by video game-esque bleeps and rich electro flourishes. For Revolutionary, his voice slips into an anthemic refrain punctuated by howling synths and a falsetto swagger.His 2015 sophomore album, In The Cards, yielded a string of fan favorite singles such as Dont Wait Up and the smash Long Way Downwhich peaked at #3 on the Alternative Chart, clocked over 30 million Spotify streams in addition to 3 million YouTube/VEVO views and counting. The record garnered acclaim from Billboard, Baeble Music, iHeart.com, and more.

Venue:
High Dive
210 SW Second Ave Gainesville

When:
Wed, 28 Nov 2018 8.30pm -
Thu, 1 Jan 1970 1.00am


weekly on Wednesdays for 999 times

Wind Down Wednesday


Enjoy live Jazz and great wine – Seasonal wines are available for half price to give patrons the ability to find their perfect wine. $20 all you can drink house wine.

Venue:
Gainesville, Florida, United States
Gainesville, Florida, United States Gainesville

When:
Wed, 14 Nov 2018 7.00pm -
Wed, 14 Nov 2018 11.00pm


on various days

A Chorus Line


"A Chorus Line" is the sixth longest-running Broadway musical with music by Marvin Hamlisch, lyrics by Edward Kleban and a book by James Kirkwood, Jr. and Nicholas Dante. Centered on seventeen Broadway dancers auditioning for spots on a chorus line, the musical is set on the bare stage of a Broadway theatre. "A Chorus Line" is a stunning concept musical capturing the spirit and tension of a Broadway chorus audition by exploring the inner lives and poignant ambitions of professional Broadway actors, singers and dancers. Memorable musical numbers include “What I Did for Love, “One,” “I Can Do That,” “At the Ballet,” “The Music and the Mirror,” and “I Hope I Get It.”Performance Dates are:November 8th-18th , 2018Thursday- Saturday at 7:30 PMSaturday and Sunday at 4:00 PM Adult - $15.00 Student, Senior - $10.00

Venue:
Star Center Theatre
11 NE 23rd Ave Gainesville

When:
Thu, 15 Nov 2018 7.30pm -
Thu, 1 Jan 1970 1.00am


University of Florida Gators Men's Basketball vs. North Florida Ospreys Mens Basketball



Venue:
Stephen C. O'Connell Center
202 West University Avenue Gainesville

When:
Tue, 27 Nov 2018 7.00pm -
Thu, 1 Jan 1970 1.00am

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